Showing posts with label religion. Show all posts
Showing posts with label religion. Show all posts

Religion, nationalism, Europe, Brexit

 

Above is an interesting webinar hosted by Aristotle Papanikolaou of the Orthodox Christian Studies Centre of Fordham University regarding religion and nationalism. The guests are José Casanova, Elizabeth Prodromou and Eric Gregory.

In his opening remarks Casanova says religious nationalism, as he calls the intersection of religion and nationalism, is characteristic of all religions – Islam, Hinduism, Judaism, Buddhism, Christianity, and exists in all Christian denominations. A lot is made of how, where Orthodoxy prevails, it has developed into a religion that has come to define national identity but Casanova says this is nothing unusual or unique to Orthodoxy and in his country, Spain, under Franco, the ideological glue of the regime was National Catholicism.

Gregory makes some observations about how, despite the explicit tradition of separation of state and religion in the USA, religion has now come to pervade that country’s politics. Trumpism or Make America Great Again populism, Gregory argues, is a form of religious nationalism and is code for making America white and Christian again.

Ironically, all three scholars observe, Christian nationalism, whether in the form of Trumpism in the USA, Marie Le Pen’s Front National in France, Geert Wilders’ Party for Freedom in Holland or the AfD in Germany, has little to do with Christianity as a religious creed. Christian nationalist leaders and many of their followers are not devout and have no real interest in the faith. Rather they assert Christianity, its centrality to American and European identity, as a means to oppose non-Christian religions that are perceived as a threat to European and American culture and global interests.

There are many other interesting points that emerge from the discussion. One is Gregory’s claim that while the Orthodox Church sees itself as being the bulwark of a Christian nation, Protestants see nations as temporal constructs and assert that salvation only comes to individuals – grace not race. (Of course, the Byzantines saw the Roman people, and not any individual, as ‘chosen’ and the Roman nation as uniquely righteous and under the protection of God, the Virgin Mary and any number of saints, in which case the notion of individual salvation is both decadent and grotesquely vain).

Another interesting observation is Casanova’s that the EU was the result of 70 years of war between France and Germany, which started with the Franco-Prussian war in 1870, took on a second phase in the Great War and concluded in 1945 with the Second World War.

It was at a the end of this last war, Casanova argues, that Roman Catholic intellectuals in France and Germany began to consider how their two countries could put an end to this internecine bloodshed and establish a new Europe. The result of this Roman Catholic or Christian Democrat initiative was first the Treaty of Paris (1951), which created the European Coal and Steel Community, then the Treaty of Rome (1957), in which France and Germany joined by Holland, Belgium, Italy, Luxembourg – all overwhelming Roman Catholic countries or countries where at least half the population were Roman Catholic, formed the European Economic Community, which morphed into the European Union following the Maastricht Treaty of 1992.

These cultural and historical foundations of the EU are always useful to remember, particularly if we want to see why the UK was always an uncomfortable, then a semi-detached and ultimately a fully alienated member-state, deciding to abandon the whole project in 2016.

Since Brexit, a cottage industry has developed trying to explain why Britain has, for better or worse, ended up where it is.

Many have attributed the vote to leave the EU, and the recalibration of politics it represents, the fall of the Red Wall to Boris Johnson in the 2019 general election, to English nationalism. Some have argued that this English nationalism is rooted in hostility to immigration – though for former PM Tony Blair this has less to do with European immigration and the EU’s policy of Freedom of Movement, and more to do with non-European immigration to the country:

‘For many people, the core of the immigration question – and one which I fully accept is a substantial issue – is immigration from non-European countries especially when from different cultures in which assimilation and potential security threats can be an issue.’

This hostility to immigration is often linked to imperial nostalgia. During the vote leave campaign there was much talk of Britain, having shown in the past that it can thrive and triumph globally, striking out again into the wider world, leaving behind the narrow confines of Europe and the shackles of Brussels. Moreover, given its unique imperial history, Britain, it was argued, has greater cultural, historical and ethnic ties to countries like Australia, Canada, New Zealand and the USA – the so-called Anglosphere – than the countries of the European continent.

Gary Younge put the imperial-nostalgia-prompted-Brexit thesis like this:

‘Our colonial past, and the inability to come to terms with its demise, gave many the impression that we are far bigger, stronger and more influential than we really are. At some point they convinced themselves that the reason we are at the centre of most world maps is because the Earth revolves around us, not because it was us who drew the maps.’

Others have argued that rather than imperial nostalgia being behind Brexit, it’s the myths of the Second World War, with its notions of plucky, little Britain fighting to retain its freedom from malevolent forces in Europe that explain the country’s rejection of the EU.

Mike Finn writes that for the two leading Brexit campaigners, Michael Gove and Boris Johnson:

‘Britain is the nation who stood alone in 1940, a great nation, heir to Anglo-Saxon culture and “first in the world for soft power”, owing to Britain’s supposed invention of representative democracy. For Johnson, Churchill was a man of 
vast and almost reckless moral courage, the encapsulation of all that is good about Britain, not least British pluck. As Gove puts it, those who believe that the prospect of Brexit is a terrible idea are actually arguing that Britain is too small and too weak…to succeed without Jean-Claude Juncker looking after us. Johnson went further, comparing the European project to Hitler's attempt at territorial domination. Both agree that, as in 1940, Britain can, and should, stand alone.’

Tony Blair also invokes the dominance of Second World War myths in British national ideology as a cause of Brexit.

‘On the one side are those who feel Britain as they know it, is being cast aside, the things they like about Britain disappearing, and in their place, petty political correctness, bureaucratic obsessions, magnified and exemplified by Europe, and, above all, obedience to the god of multi-culturalism at the expense of our own culture. 

This part of Britain imagines a parallel with the Second World War, a period of our history which, rightly, makes us proud. Read the speeches of the Brexiteers and they are replete with references to this feat of glory.

But it casts a long shadow over the British psyche. It creates a longing to live the moment again, to see each new circumstance through the lens of its narrative, a life and death struggle between us and those who would harm us, where against all odds we triumph, a series of Darkest Hours from which we emerge to the sunlit uplands.’

Imperial nostalgia and Second World War myths aren’t mutually exclusive. Even if the first evokes feelings of global supremacy and significance while the second celebrates the virtues of the underdog and isolation, you can believe in both and Brexit can be explained by both.

Also worth noting are the arguments of historian Linda Colley on the origins of British national identity and how this might have contributed to Brexit

In Britons: Forging the Nation, Colley argues that the British nation was formed between 1707 and 1837, i.e. between the Acts of Union between Scotland and England and the beginning of the Victorian era. The principal ideological adhesive that bonded England, Scotland and Wales, Colley argues, was Britain as a Protestant state standing against a largely Roman Catholic Europe.

Even if these foundations of British national identity have, since the Second World War, faded, with empire gone and religion a peripheral and derided endeavour, what hasn’t faded is the notion, however vaguely understood, that Europe is other, foreign and not only not part of British – or, now, English – identity but inimical to it.

Chaos and goodness: from Hesiod and Plato to Christianity and Nietzsche

What does Nietzsche mean when he says: ‘Christianity is Platonism for the masses’? An interesting essay, Chaos corrected: Hesiod in Plato’s creation myth, by E.E. Pender, gives us an idea.

The subject of the essay is Plato’s attempt, particularly in the Timaeus but also in the Republic, to establish a new creation myth for the Greeks that would supplant Hesiod’s Theogony, which Plato objected to on the grounds that it wasn’t sufficiently edifying and, indeed, that Hesiod’s depiction of the gods and their role in creating the universe was fundamentally wrong.

In particular, according to Pender, what Plato wants to correct in Hesiod is the ‘moral chaos’ of the Theogony, in which the gods are often portrayed as jealous and spiteful, engaged in plotting, deception and violence. For Plato, god is incapable of malevolence. He is by nature good and his motive in creating the universe is to advance goodness.
‘Unlike Hesiod’s Ouranos, Kronos, and Zeus, Plato’s supreme god is not seeking to create a world order that will allow him simply to gain and then hold on to power. This god and those he creates are themselves good and their aim is to create further goodness.’
Furthermore, Pender says, into Hesiod’s universe, in which chaos is the primal force and strife and power politics define the relationship between the gods, Plato wants to interject a benign and rational being – a demiurge or craftsman-father – able to impose harmony and rationality. Whereas Hesiod identifies a universe permeated by disorder, out of which an ordered cosmos can never fully emerge, Plato sees a world infused with goodness, always striving to achieve perfectibility.

Plato also wants to correct Hesiod when it comes to defining the attributes of the Muses, the goddesses that inspire in the creation of art and the pursuit of knowledge. In Hesiod, the Muses exist to soothe grief and help men forget their troubles; but in Plato they lose their psychogogic qualities and acquire a more transcendental and metaphysical role, which is to guide the human soul (through philosophy and philosophical exercises) towards divine harmony and reason.

In Plato’s creation tale, then, Pender concludes, ‘the principle of goodness is eternally present, the triumph of order and reason is assured by design, human beings have the means to become like gods’.

In which case, to return to Nietzsche and his ‘Christianity is Platonism for the masses’ – a statement, it’s worth stressing, intended to insult Christianity, Platonism and the masses; we can now see that it is not a long road to travel to get from Plato’s ‘eternally present principle of goodness’ to Christianity’s depiction of God as the epitome of goodness; from Plato’s ‘triumph of order and reason assured by design’ to Christianity’s God the Creator and Jesus the embodiment of divine logos; or from ‘human beings [that] have the means to become like gods’, to Christianity’s belief in transfiguration, in which man, innately good (i.e. even if not born good, then always capable of it), aspires, via communion with God or redemption through Jesus, to become suffused by the divine.

* Chaos corrected: Hesiod in Plato’s creation myth is contained in the book Plato and Hesiod, which you can download as a PDF from here.

Martin Luther King on Adonis and Jesus



Below is an another extract from Dr Martin Luther King’s essay The Influence of the Mystery Religions on Christianity, this time making links between the death, descent into Hades and resurrection of the god Adonis with the fate of Jesus Christ.

'Another popular religion which influenced the thought of early Christians was the worship of Adonis. As is commonly known Antioch was one of the earliest seats of Christianity. It was in this city that there was celebrated each year the death and resurrection of the god Adonis. This faith had always exerted its influence on Jewish thought, so much so that the prophet Ezekiel found it necessary to scold the women of Jerusalem for weeping for the dead Tammuz (Adonis) at the very gate of the temple. When we come to Christian thought the influence seems even greater, for even the place at Bethlehem selected by the early Christians as the scene of the birth of Jesus was none other than an early shrine of this pagan god – a fact that led many to confuse Adonis with Jesus Christ.

'It was believed that this god suffered a cruel death, after which he descended into hell, rose again, and then ascended into Heaven. Each following {year} there was a great festival in commemoration of his resurrection, and the very words, "The Lord is risen," were probably used. The festival ended with the celebration of his ascension in the sight of his worshippers. Needless to say that this story of the death and resurrection of Adonis is quite similar to the Christian story of the death and resurrection of Christ. This coincidence had led many critics to suppose that the story of the burial and resurrection of Jesus is simply a myth borrowed from this pagan religion. Whether these critics are right in their interpretation or not still remains a moot question.

'However, when we come to the idea of Jesus' decent into hell it seems that we have a direct borrow from the Adonis religion, and in fact from other religions also. Both the Apostles Creed and the Athanasian {Creed} say that between the Friday night and Sunday morning Jesus was in Hades. Now this idea has no scriptural foundation except in those difficult passages in the First Epistle of Peter, which many scholars have designated as the most ambiguous passages of the New Testament. In fact the idea did not appear in the church as a tenet of Christianity until late in the Fourth Century. Such facts led almost inevitably to the view that this idea had a pagan origin, since it appears not only in the legend of Adonis, but also in those of Herakles, Dionyses, Orpheus, Osiris, Hermes, Balder, and other deities.'

Kazantzakis on Greece and Japan

In my recent post, Angelopoulos, Takeshi Kitano, Cacoyiannis, I mention that Greek and Japanese civilisations have some striking similarities. In his book, Travels in China & Japan, recording his impressions of imperial Japan and revolutionary China in the 1930s, Nikos Kazantzakis explains what I mean:

‘There is no country in the world that reminds me more than Japan of what ancient Greece might have been in its most shining moments. As in ancient Greece, so in old Japan and here in whatever of it still lives, even the smallest thing that comes from the hands of man and is used in his everyday life is a work of art, made with love and grace. Everything comes out of agile, dexterous hands, which crave beauty, simplicity and grace – what the Japanese call in one word: shibui (“tastefully bare”). 

‘Beauty in everyday life. And many other similarities: both peoples had given to their religion a cheerful aspect and had placed God and man in goodhearted contact. They both had the same simplicity and grace in dress, food and abode. They had similar celebrations devoted to the worship of nature, the anthesteria and sakura; and also from the same root (the dance) they produced the same sacred fruit, the tragedy. Both peoples had tried to give to physical exercises an intellectual aim… 

‘The ancient Greeks received the first elements of their civilisation from the Orient and from Egypt, but they succeeded in transforming them and in freeing the sacred silhouette of man from monstrous gods by giving human nobility to the monsters of mythology, theology and fear. In exactly the same way, the Japanese took their religion from India and the first elements of their civilisation from China and Korea, but they, also, succeeded in humanising the physical and the monstrous and in creating an original civilisation – religion, art, action – adapted to the stature of man.’